Saturday, October 31, 2009
Kristy #4
Megan's Reading Response 4
Friday, October 30, 2009
Briana's Response #4
She said she has a few students who have active TIEs. I'm not sure if this will make a huge difference in the classroom environment that we create but it is helpful to know about the students. If anything we will be able to take the demographics into account and work with them. I don't forsee any specific problems.
Meagan W, Heather, Chelsea, Response 3
I felt like I really learned a lot talking with Brittany. It was interesting to talk about the socioeconomic factors in the school. It's really interesting that they have split the school and that all the inner city students have been put together. I see this as a challenge but also something that can bring the kids together. I think it could be hard to deal with because all of the students feel inferior (as Brittany told us) but at the same time, it's something they all have in common and hopefully something that could bring them together and make them feel alike and united. I'm excited that the class is small, I think that will make our teaching experience very intimate and give us an opportunity to really get to know the students, which excites me. I'm a little worried about our topic and getting the students engaged and interested, since it's a topic she said her students don't like too much.
But overall the meeting made me really excited and happy about the upcoming practicum experience! -Heather
In talking with the teacher I thought it was interesting that there were positives and negatives to every aspect we discussed with her classroom. She has good technology in her classroom, but not great technology for her auditorium. I think it showed a balance and a positive attitude from her as a teacher. Her school has been split twice over the last two years and it was interesting to hear her talk about the response that she gets from her students about that transition. Many of the students express that they feel inferior to the students that attend the other schools because those schools are newer. I think students are effected my a lot more then they usually openly express. I am interested in knowing students and their needs in the class room. -Chelsea
Megan, Krystle, Kirsten Group Response
Kiely's Response 4
I learned a few things from my cooperating teacher, Kris Holley. She was a very happy person and seemed to really love what she does. One of the things she talked about that I hadn't thought of before was the differences between teaching in a high school and a middle school, because she currently teaches at a middle school. In a high school the teacher has to deal with the administration a lot more and has to, as she put it, cut through a lot of red tape. But in a middle school, her administration just trusts her to do good shows so they don't bother her at all and don't require her to get approval for any of the shows she does. She also usually is given more leeway with cutting things out of shows because companies just see it as a middle school and let her do most of whatever she wants. But in a high school they're much more strict.
She also talked about how high school kids tend to be harder to teach because they think they know everything already. Middle school kids will believe anything you have to say and will more willingly try whatever you ask. She also said discipline is a little easier because the kids believe you more when you threaten. I thought all these things were really interesting and aspects that I hadn't thought of before. It made teaching in a middle school sound really appealing...
I'm excited because from the way she was talking it seems like she has the trust of her students and are willing to cooperate with us. I don't know if this is a challenge, but she told us when she told her students we were coming, they all looked kind of worried and asked if she would still be there. That may work for our advantage. If she is still there they will feel comfortable and be willing to participate and learn. Though they may not take us as seriously at first because their teacher is still there, so they may look to her instead of us while we're teaching. It will be a challenge but I think a fun one.
Wednesday, October 28, 2009
krystle's 3rd post
3rd post
Three Shmeee, blah dee blah dee standards.
Kirsten's 3rd Response
Meagan Wright, 3
In addition to being able to suggest and clarify appropriate texts, the National Standards offer a number of literacy methods. On a unit of script writing, improvising can be explored. During a unit of directing, students can be assigned to conduct rehearsals.
As the Utah Core Curriculum and the National Theatre Standards are implemented in a curriculum design, teachers are guaranteed to see text and literacy. It will not only facilitate the planning and preparing of the teacher, but it will enhance the overall education of the student as they are being exposed to text through literacy.
Kristy #3
Tuesday, October 27, 2009
Kiely's Response 3
The Utah Core Curriculum and the National Theatre Standards are basically an outline of everything a drama teacher should be providing to their students throughout the years in their program. It starts at the basics and moves up to advanced in every topic while explaining exactly what they should be able to do. I think this provides a very useful guideline when designing curriculum because as a teacher I now know where the students should start and finish. I can adjust it as I go according to the students, but at least I have a jumping off point.
Covered in both these sites is basically a list of what all students should be literate in, in terms of theatre. As a teacher I can take the basic idea given and then delve deeper in to the concept. However this outline really helps me as a teacher because it provides a clear list of the different texts my students need to study, and how literate they need to end up. I can then add my own personal texts to supplement what has been provided here.
This also helps because it may talk about a certain text that as a teacher I may not have thought to include or spent a lot of time on. One of those for me was playwriting. I never thought previously about including a unit on playwriting because we didn't do that in my high school program. Consequently I didn't even know they existed in high schools. This is a text and a degree of literacy that I did not know about and was not exposed to until I came to college. These outlines help to expose the teacher to different texts they should be addressing that they didn't realize needed to be addressed. Because of all this the students receive a more rounded theatre education.
Heather's Response-3
As I read the Utah State Standards, all I could think about was Bloom’s taxonomy. Each of the foundations builds so perfectly on the next, starting with knowledge and gradually working it’s way up to synthesis and evaluation. Seeing the standards laid out like in context I can easily understand really helped me to understand Bloom’s taxonomy more fully. It helped me to realize how to implement it in my teaching and in my courses.
“There are two basic goals in theatre education: finding meaning in works of theatre art through the study and appreciation of theatre as an art form, and constructing meaning in works of theatre art through the study and skill development of theatre techniques in the creation of that theatre art” This quote from the beginning of each Utah State Standard to me is the epitome of what Text and Literacy seems to mean to me. The first goal deals with texts; finding meaning in each and every aspect of theatre. And this is done in every level of a drama classroom, just more in depth as time goes on. Then the second half is about literacy, being able to take that knowledge and apply it; to create something more. This concept is also found throughout the National Standards as every aspect involves understanding and then analyzing and creating.
Reading through these standards after learning about texts and literacy really helped me to concretely visualize and understand what those terms mean and how they apply to me. I feel grateful to have the standards to help guide me in my teaching, they make me feel less alone. ;-)
Briana's Response #3
I think something interesting to note is that one of the national theatre standards compare and integrate art forms by analyzing traditional theatre, dance, music, visual arts and new art forms. This to me leans towards analyzing and being literate with theatre without having a written text. This specific standard promotes literacy in non-written texts, which is awesome. When using this standard, the text become the piece of art work and not a book. Our students need to learn to read and understand or be literate with all forms of texts, and this is the perfect standard to do that with! I think it is also important to note that constructing and creating theatre is a part of the standards. I think this helps us to assess the literacy of our students in all forms of texts and to gauge where their understanding lies with theatre. It all fits together! That's something that is wonderful to realize. Even though I am overwhelemed, these standards may be things that I am already doing naturally.
Megan's Reading Response 3
Monday, October 26, 2009
Doi. That's Romanian for Two.

Alrighty, so I'm not normally one to become completely overwhelmed by things, in fact, I normally handle things quite nicely, but having been presented with Bloom's Taxonomy and INTASC principles again, I have the feeling that sometimes I might not be doing all of them at once. In my perfectionist mind, that just doesn't compute! But then I realized, it's all good, I already know what I need to do...
You see, sometimes, the things that we inherently do as good teachers (assuming that we all are) are the things that other teachers struggle with. For example: In our program we have been taught to pay particular attention to the way that people learn and how to best reach them. Now, anytime that anyone in the department says, "Oh, that's such a Blue thing to do." We all simply know that it means they're just being caring or worrying or thinking about others. We now inherently use our baseline knowledge as a way to interact with the world.
In our teaching it should be no different.
We are simply teaching our students the baseline knowledge that they need to be able to interact with the world. The INTASC standards call it Learning Styles/Diversity, we just call it paying attention to student needs. Isn't it funny that we have to be reminded of what we do?
In the future, I fully plan to use Bloom's Taxonomy and the INTASC principles-- not because I will have them both out constantly looking at and reviewing them, but because they are something that we simply do, because they're part of how we were taught to teach, they're just good pedagogy.
Meagan Wright, 2
Additionally, Teaching Using Blooms Taxonomy gives actual strategies on how to implement high order learning. There are tangible lesson ideas for each standard. If I wanted my students to “know” something, I could consider using films, models, and diagrams. When I want them to “apply” that knowledge, I could in cooperate diaries, photographs, and sculptures.
Finally, the reading solidifies the goals and ambitious I already have. In a way, it provides an assurance that my personal teaching philosophies and goals are acceptable.
Kirsten's 2nd post
Post #1-Sorry it's late
Krystle's 2nd Post
kristy post #2
Sunday, October 25, 2009
Briana's Response #2
Briana's Response #1
Immediately after understanding that any performance piece, viewed by an audience or not, is considered a theatre text, I wanted to express to my students the importance of and wonderful opportunities we have to read theatre performances! We can find meaning in performance and learn simply from watching and understanding, not only reading. I also really loved Gee’s point about comprehension having to do with exposure to vocabulary, worlds and words. This is so important when learning about our students and discovering what they understand. If they’ve never been exposed to Shakespeare in any form, how are they to understand a performance of a Shakespeare piece where they use words dissimilar from our own today? Important lessons to teach beforehand.
I really want to do an activity in my classroom like the dramaturgy one described. I think that is such a great idea for a unit. I had no idea what dramaturgy was when I came to BYU and I want to make sure that my students get the most exposure to as many things as they possibly can. No surprises for them! And the way the scenario explained it really made the unit clear in my mind. I think it was also good to point out that as theatre teachers, we may not even realize we’re teaching our students about theatre literacy. Literacy is part of everything that we do but we need to further work to implement and enhance those aspects already present. I think the process of action, evaluation and reflection is perfect when concentrating on literacy. This process will really help my students to understand and apply what I want them to.
Heather's Response-2
Along with the concepts in Bloom’s Taxonomy, the INTASC Principles are so interesting to me! There is no way a teacher can teaching using the taxonomy without first applying the INTASC principles. I’ve realized I need to know what I’m talking about and use my love of theatre to inspire my students. But I can’t just teach them in the way I learn, or assume they know things about theatre that I know. I need to teach them according to their learning styles, but varying my instruction methods. I need to learn how to communicate with different types of students, to practice motivating them, and loving them, and making sure they are able to learn in a safe environment within my classroom.
These two short papers that I’ve read have really re-opened my eyes to all that I can/need to accomplish in my classroom. It makes me really excited.
Saturday, October 24, 2009
Kiely's Response 2
The reading made me think more deeply about how well rounded each lesson is so that all students are able to learn everything being taught. But in addition to just learning it, I want to make sure it's internalized so that they can take the principle itself and apply it to other situations. One principle I thought of was how to use and manipulate your voice to make it do what you want. I had an idea of doing a unit on this. I could start with teaching about projection and enunciation, and exploring how to give your voice dynamism so it conveys the emotion of the scene. That is fairly specific to stage performance. But then I could take it a step farther and do a project using radio. They could tell stories like an old fashioned radio program and we could record them. With this project they are completely dependent on their voice to get the message across but it's using the same principles as before, just in a different medium. I could also do a project using puppetry with the students focusing on doing the talking for the puppets. For me I want to teach the principle, which doesn't take that much, but then use more time exploring different ways the principle can be applied to different mediums. I think projects like these coupled together offer a variety to the students because some may feel less comfortable on stage, so a recorded radio program would be something they're more interested in. It also fosters learning history as the students would study older radio programs and how they were done. I think using diversity in the activities in the classroom helps students learn to take what they learn and apply it better to other situations. This allows the learning to move outside the classroom and into their lives.